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A multicultural perspective on steampunk

This is the tumblr associated with Beyond Victoriana, the oldest-running blog about multicultural steampunk and retro-futurism--that is, steampunk outside of a Western-dominant, Eurocentric framework. All of the steampunkery here focuses on non-Western cultures, underrepresented minorities in Western histories (Asian / Pacific Islander, Middle Eastern, First Nation, Hispanic, black / African & other marginalized identities), and the cultural intersection between the West and the non-West.

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Discussing the state of steamfunk with Valjeanne Jeffers and Milton Davis
Inquiring minds want to know, Milton…what is Steampunk and just what is Steamfunk? Do they differ in any way other than Steamfunk having Black heroes? MILTON: I’m still trying to answer the first question. I look at steampunk from a technical and historical aspect. Technically it’s imaging a past and a future where the major technology is steam based. From a historical standpoint its culture, morals and customs are based on Victorian sensibilities. Steamfunk is dealing with the same era and technology in terms of the experiences of people of color, mainly African and those of the African Diaspora. The way it differs from just having black heroes is that a steamfunk story centers on the experiences of our ancestors who lived during the Victorian Age. Is there a need for a subgenre separate from Steampunk? VALJEANNE: Most definitely! Within this new genre we are witnessing the birth of worlds in which Black folks and that which moves us reign supreme. In short, Steamfunk is just as different from Steampunk as Black Science Fiction is from White science fiction. Imagine a Steamfunk hood, an antebellum South in which abolitionists fly airships. Or, as in my novel, Immortal IV: Collision of Worlds, folks living in a post-apocalyptic, steam-world with meta-humans…policed by androids. Now imagine each of these worlds predominated by folks of color: worlds in which Black, Native American, Latino, and Asian folks are not sidekicks but heroines, heroes and villains. That’s what Steamfunk is.
Read the rest of their discussion on The State of Steamfunk at The Chronicles of Harriet.

Discussing the state of steamfunk with Valjeanne Jeffers and Milton Davis

Inquiring minds want to know, Milton…what is Steampunk and just what is Steamfunk? Do they differ in any way other than Steamfunk having Black heroes?

MILTON: I’m still trying to answer the first question. I look at steampunk from a technical and historical aspect. Technically it’s imaging a past and a future where the major technology is steam based. From a historical standpoint its culture, morals and customs are based on Victorian sensibilities. Steamfunk is dealing with the same era and technology in terms of the experiences of people of color, mainly African and those of the African Diaspora. The way it differs from just having black heroes is that a steamfunk story centers on the experiences of our ancestors who lived during the Victorian Age.

Is there a need for a subgenre separate from Steampunk?

VALJEANNE: Most definitely! Within this new genre we are witnessing the birth of worlds in which Black folks and that which moves us reign supreme. In short, Steamfunk is just as different from Steampunk as Black Science Fiction is from White science fiction. Imagine a Steamfunk hood, an antebellum South in which abolitionists fly airships. Or, as in my novel, Immortal IV: Collision of Worlds, folks living in a post-apocalyptic, steam-world with meta-humans…policed by androids. Now imagine each of these worlds predominated by folks of color: worlds in which Black, Native American, Latino, and Asian folks are not sidekicks but heroines, heroes and villains. That’s what Steamfunk is.

Read the rest of their discussion on The State of Steamfunk at The Chronicles of Harriet.

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